Choosing a course is one of the most important decisions you'll ever make! View our courses and see what our students and lecturers have to say about the courses you are interested in at the links below.
Each year more than 4,000 choose NUI Galway as their University of choice. Find out what life at NUI Galway is all about here.
About NUI Galway
About NUI Galway
Since 1845, NUI Galway has been sharing the highest quality teaching and research with Ireland and the world. Find out what makes our University so special – from our distinguished history to the latest news and campus developments.
Colleges & Schools
Colleges & Schools
NUI Galway has earned international recognition as a research-led university with a commitment to top quality teaching across a rang of key areas of expertise.
Business & Industry
Guiding Breakthrough Research at NUI Galway
We explore and facilitate commercial opportunities for the research community at NUI Galway, as well as facilitating industry partnership.
- Alumni, Friends & Supporters
At NUI Galway, we believe that the best learning takes place when you apply what you learn in a real world context. That's why many of our courses include work placements or community projects.
Dr Lindsay Reid BA, MA, PhD
Lindsay Ann Reid is a graduate of the University of King’s College (BA in Early Modern Studies and Classics) and the University of Toronto (MA in Comparative Literature; PhD in English and Book History and Print Culture). Before joining the National University of Ireland, Galway, she previously taught at universities in Canada and worked as an Assistant Professor in the Department of English and Comparative Literature at Koç University in Istanbul, Turkey. She currently serves as Head of Second Year English at NUI Galway, and she is the Associate Editor-in-Chief for The Shakespeare Standard.
Broadly speaking, her research and teaching interests centre on late medieval and early modern British literature and culture. Her scholarship to date has focused primarily on the reception and adaptationof classical Latin poetry, and she is the author of a relevant monograph entitled Ovidian Bibliofictions and the Tudor Book (Ashgate, 2014). She has also published on topics including Spenser’s Faerie Queene, Beaumont and Fletcher’s Maid’s Tragedy, early modern broadside ballads, and printed poetical miscellanies. Her next major research project focuses on the ways that medieval vernacular literature informed early modern readings of classical poetry. She welcomes enquiries from prospective postgraduate students wishing to pursue research in affiliated areas.
|Lindsay Ann Reid (2014) Ovidian Bibliofictions and the Tudor Book: Metamorphosing Classical Heroines in Late Medieval and Renaissance England. Aldershot: Ashgate. [Details]|
|Lindsay Ann Reid (2016) ''To the Tune of “Queen Dido”: The Spectropoetics of Early Modern English Balladry'' In: Helen Hickey and Helen Dell (eds). Singing Death [forthcoming]. Aldershot: Ashgate. [Details]|
|Lindsay Ann Reid (2014) ''Monstrosity, Monument and Multiplication: “The Lamenting Lady” Margaret of Henneberg (and Her 365 Children) in Early Modern England'' In: Andrea Wood and Brandy Schillace (eds). Unnatural Reproductions and Monstrosity: The Birth of the Monster in Literature, Film, and Media. London: Cambria. [Details]|
Peer Reviewed Journals
|Lindsay Ann Reid (2015) ''Teaching Caxton’s Prologue to Eneydos as an Introduction to Renaissance Literary Culture''. This Rough Magic, . [Details]|
|Lindsay Ann Reid (2015) ''Two Echoes of Euphues in The Fair Maid of the Exchange''. Notes & Queries, 62 (2). [Details]|
|Lindsay Ann Reid (2014) ''The Spectre of the School of Night: Former Scholarly Fictions and the Stuff of Academic Fiction''. Early Modern Literary Studies, (Special Issue 23). [Details]|
|Lindsay Ann Reid (2014) ''Virgilian and Ovidian Tree Similes in Troilus and Criseyde 2.1373-84''. Explicator, 72 (2). [Details]|
|Lindsay Ann Reid (2014) '‘Gower’s Slothful Aeneas in Batman’s Christall Glasse of Christian Reformation’'. Notes & Queries, 61 (3). [Details]|
|Lindsay Ann Reid (2012) ''Certaine Amorous Sonnets, Betweene Venus and Adonis”: Fictive Acts of Writing in The Passionate Pilgrime of 1612''. Etudes Epistémè, 21 . [Details]|
|Lindsay Ann Reid (2012) '‘Beaumont and Fletcher’s Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid’s Tragedy’'. Early Modern Literary Studies, 16 (2). [Details]|
|Lindsay Ann Reid (2007) '‘Certamen, Interpretation, and Ovidian Narration in The Faerie Queene III.ix-xii’'. Spenser Studies, 22 . [Details]|
|Lindsay Ann Reid (2014) ‘Neuer before Imprinted’ (in Out of Sequence: The Sonnets Remixed). Artwork [Details]|
|Lindsay Ann Reid (2015) Review of Women in Shakespeare: A Dictionary by Alison Findlay in Australasian Drama Studies. Book Review [Details]|
|Lindsay Ann Reid (2010) Review of Metamorphosis: The Changing Face of Ovid in Medieval and Early Modern Europe, eds. Alison Keith and Stephen Rupp. Book Review [Details]|
|Lindsay Ann Reid (2013) Regular columnist at The Shakespeare Standard (column titles: 'Te Scrivener' and 'Early Modern and Open Access'). Electronic Publication [Details]|
|Lindsay Ann Reid (2016) Article revision and supplement for 'The Passionate Pilgrim' in The Greenwood Companion to Shakespeare: A Comprehensive Guide for Students, 5th edn [forthcoming]. Encyclopedia Entry [Details]|
| Year 2009 Institution: University of Toronto
Qualification: DOCTORAL DEGREE (LEVEL 10) Subject: English and the Collaborative Program in Book History and Print Culture
| Year 2004 Institution: University of Toronto
Qualification: MASTERS DEGREE (LEVEL 9) Subject: Comparative Literature
| Year 2003 Institution: University of King's College
Qualification: HONOURS BACHELOR DEGREE (LEVEL 8) Subject: Classics and Early Modern Studies
|Associate Editor-in-Chief for The Shakespeare Standard (http://theshakespearestandard.com/).|
|2014-2015 (semester 1) : First Year English, Renaissance Literature Strand|
|2014-2015 (semester 2) : Studies in Renaissance Literature|
|2014-2015 (semesters 1 and 2) : Allusion, Adaptation and Appropriation|
|2014-2015 (semesters 1 and 2) : Film and Shakespeare|