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About NUI Galway
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Drama and Theatre (MA)
MA/PGDip (Drama and Theatre) [full-time, part-time]
College of Arts, Social Sciences, & Celtic Studies
The MA in Drama and Theatre Studies is a world-leading course that allows students to build a programme that suits their own interests – whether in theatre practice, Irish drama, playwriting, theatre criticism, or a blend of all four. Weekly theatre visits in Galway and Dublin are an essential part of the programme.
Students on the course benefit from NUI Galway’s unique partnership with Druid Theatre, recently described by The New York Times as ‘one of the world’s great theatre companies’. The partnership involves masterclasses, workshops, and visits to shows.
NUI Galway also has one of the world’s richest collections of Irish theatre archives, including the Abbey Theatre Digital archive, which features scripts, designs, videos and images from throughout the history of Ireland’s national theatre.
This one-year full-time programme blends academic and practical approaches to the study of drama, and is particularly suited to applicants who wish to work in the theatre, write or review plays, teach drama, or carry out further academic research. Applicants with a general interest in theatre are also very welcome.
This is a two-year part-time programme, offering students the opportunity to study drama from a practical, theoretical and historical perspective, and building skills in a range of different areas in drama and theatre. Students take three modules each year and write a minor thesis at the end of second year.
A university Arts degree (minimum standard 2.2, or US GPA 3.0). Students will be accepted on the basis of the degree result, a personal statement addressing their theatre experience and aims, and the names of two people who can provide references. Applicants who do not meet the minimum entry requirements may be admitted via a qualifying exam if they have relevant professional experience, or may be admitted to the PDip. Students who do not meet the honours degree requirement but have a Level 7 degree (Merit 2) may be admitted to the PDip course with the possibility of progressing to the MA if they receive a minimum of 60% in their course work during the year.
1 year, full-time
2 year, part-time
Next start date: September 2015
ECTS weighting: 90
Average intake: 15 full-time and 15 part-time
Please see offer rounds webpage for details
There are two options for study:
All students select a course entitled Fieldwork and Theatre Business (a year-long series of workshops with visiting practitioners and scholars, which includes an internship), and also take a course on writing about theatre. They also complete an end-of-year portfolio. They then choose four other modules from the list below:
Courses with a Practical Focus
Ensemble Acting and Devising
Twentieth Century Directors and Theorists
Changing Stages: Performance Pre-1900
Courses with an Academic Focus
Druid Theatre: Past, Present and Future.
Discovering the Archives
Irish Playwrights Since the 1960s
Theatre and Modernity: the Irish Literary Revival
Theatre and Globalization
The Abbey Theatre Archives
Courses on Writing
Vocabularies of Theatre Composition
Reviewing Theatre in Ireland Today
Students can pick any courses from the list above, depending on their interests. They can specialise in one of the above areas, or may choose to sample all three in order to have a broad degree. Students should note that where some courses are mainly practical and others mainly academic, most will blend both approaches to some extent.
This is a two-year part-time programme. Students take three modules each year and write a minor thesis at the end of second year.
In Year One, all students take a module on writing about theatre. This involves weekly theatre visits and allows you to develop the skills you will need as the course progresses. Students then choose an additional two modules from the following list:
- Theatre in Irish Literary Revival
- New Approaches to Performance
- The Abbey Theatre Digital Archive
In Second Year, students choose three modules from the following list:
- Irish Theatre and Film
- Devised Work and Ensemble
- Directing for the Stage
- Exploring Theatre Archives: Druid Theatre
- Performance Lab
- Theatre and Globalization
Students also undertake a minor dissertation which can be an independently completed research project, the staging of a production, or a creative writing project involving the composition of a new play.
Applications and selections
Who teaches this course?
Mary-Elizabeth Burke Kennedy, —Playwright and founder-director of StoryTellers Theatre Company. Author of Cross My Heart, Curigh the Shape Shifter, The Golden Goose, The Parrot, Wind of the World and many translations and adaptations. Teaches playwrights' workshop.
Thomas Conway – Druid Theatre Director-in-Residence and Literary Manager, Druid Theatre.
Dr. Adrian Frazier— English Department, NUI Galway. Author of Behind the Scenes: Yeats, Horniman, and the Struggle for the Abbey Theatre (1990), George Moore 1852–1933 (2000) and Hollywood Irish: John Ford, Abbey Actors, and the Irish Revival in the Movies. Teaches Discovering the Archives.
Max Hafler— Director, Actor, Playwright, Novelist (Waking the Woodboy, 2002). His plays include Melting Doves (Yew Tree, 1997) and Grand (Yew Tree, 2002). Artistic Director, Theatrecorps. Teaches Ensemble Acting and Devising.
Dr. Patrick Lonergan— (Course Director) - Author of Theatre and Globalization (winter of the Theatre Book Prize in 2009) and The Theatre and Films of Martin McDonagh. Currently leading the Abbey Theatre Digitization Project.
Dr. Charlotte McIvor- English Department, NUI Galway. She received her Ph.D. in Performance Studies from the University of California, Berkeley with a designated emphasis in Women, Gender and Sexuality. Her articles have appeared in journals such as Irish University Review, Modern Drama and Public and edited collections including Celtic Others: Irish Literary Representations of the Migrant (2013), Deviant Acts: Essays on Queer Performance (2009) and Crossroads: Performance Studies and Irish Culture (2009). She has also taught at California College for the Arts and Santa Clara University. Teaches Performance Lab.
Dr. Lionel Pilkington—English Department, NUI Galway. Lionel has a PhD in Drama from the University of Toronto and a MA and BA from University College Cork. He is the author of Theatre and the State in 20thC Ireland: Cultivating the People (London and New York: Routledge, 2001) and Theatre & Ireland (London: Palgrave, 2010) as well as editor (with Fiona Bateman) of Studies in Settler Colonialism (London: Palgrave, 2011). He has written a variety of essays on twentieth-century Irish theatre history and cultural politics and his current area of research is theatre and capitalism in Irish theatre history.